Art from a Humanist Perspective
In both my art and my teaching, I am interested in the concept of liminal—or threshold—spaces, and how slippery spatial boundaries can speak metaphorically. Featuring sites in my adopted city of Vallejo, CA, my paintings represent a personal exploration of loss and longing for something untenable and possibly irretrievable.
Almost all of my subjects are industrial or commercial areas, rather than private residences. They are "home" to no one, but I am drawn to them, and find in them something strangely familiar. I admire the resiliency of the architecture, beautifully proportioned, low and obstinately hugging the ground. Yet the buildings’ faces are impassive; despite welcoming awnings and occasional doorways, the buildings here deny ready access. They are difficult to place, both in time and spatially. They are at once truthful and decisively fictional.
Vallejo itself has been cast as a “slipping” city, with unrealized promise—always on the cusp of “arriving." While these sites suggest unresolved social and economic issues for the city, they represent for me a psychological space—a place for personal reconnaissance.
Andrea Schwartz Gallery, San Francisco
Elisa Contemporary Art, New York